Providence College, Providence, RI
6-9 August 2009
Thursday, August 6
Albertus Magnum Hall (AM)
2:30-6.00 p.m. REGISTRATION AM 136
6:30 p.m. Optional Activity: Concert Under the Elms
Greg Abate Jazz Quartet
John Brown House Museum Lawn
52 Power Street, Providence
401.331.8575 x33
$8.00 - on you own
Friday, August 7
Albertus Magnus Hall (AM)
8:30-9:00 Coffee and Refreshments AM 136
9:00-10:40 Panel 1: Dickensian Beginnings and Endings
Chair: TBA
AM 137
David Parker, Kingston University
The Pickwick Prefaces
Jerome Meckier, University of Kentucky
Great Expectations - "a good name?"
Bert Hornback, Universitat des Saarlandes
Dickens's Last Words
Robert Heaman, Wilkes University
Pip as Artist
10:40-10-55 Coffee Break AM 136
11:00-12:40 Panel 2: Technologies of Reading and Writing
Chair: TBA
AM 137
Ken Crowell, Purdue University
Alternate Expectations: The Dual Roles of Novelist and Publisher in Great Expectations
Jonathan Farina, Seton Hall University
"Our Skeptical As If": John Tyndall and the Science of Dickens's Style
Anita Fernandez-Young and Robert Young, Nottingham University
The Character Structures of Dickens's Novels: Evidence of Development and Innovation
Joel J. Brattin and Rodney Gorme Obien, Worcester Polytechnic Institute
Project Boz: Methods, Achievements, and Goals
12:40-2:00 Lunch AM 136
2:00-3:40 Panel 3: Gender and Sexuality, Then and Now
Chair: TBA
AM 137
Sharon Kehl Califano, Shortridge Academy
Containing "Romantic Friendships": Same-Sex Male Desire in Dickens's David Copperfield and Tim Sturgis's Tim
Michael D. Lewis, University of Virginia
The Female Homosocieal in Our Mutual Friend
Natalie McKnight, Boston University
Gender Bending in Little Dorrit - Fiction and Film
Shari Hodges Holt, University of Mississippi
The Feminine and Masculine Carol: Post-Feminist and Post Colonial Discourses in Ebbie and Ebenezer
3:40-3:45 Coffee Break AM 136
3:45-5:25 Panel 4: Transatlanticism and Cultural Space
Chair: TBA
AM 137
Peter Blake, Sussex University
"I think Americans have had enough of British correspondents": George Augustus Sala and Charles Dickens in America
Diana C. Archibald, University of Masschusetts Lowell
Ports Matter: Transatlantic Travel and Dickens's Perception of America
David Paroissien, University of Massachusetts Amherst
The Bill of Fare: Eating and Drinking in Martin Chuzzlewit
Nancy Metz: Virginia Polytechnic Institute and University
The Problem of Wiltshire
Saturday, August 8
Feinstein Center (FC)
8:30-9:00 Coffee and Refreshments
9:00-10:30 Panel 5: Written on the Body: Physical Subjectivity
Chair TBA
FC 400
Ralph F. Smith, University of Ottawa
The Fevers of Oliver Twist
Peter J. Capuano, University of Virginia
Handling Animality in Great Expectations
Karen Chase and Michael Levenson, University of Virginia
Dickensian Fidgets
10:30-10:45 Coffee Break
10:45-12:25 Panel 6: Dickens Under the Microscope
Chair: TBA
FC 400
Leslie Simon, Boston University
Measuring Nothingness in Martin Chuzzlewit: Nineteenth-Century Mathematics and the Politics of the Self
MIchael Klotz, Wake Forest University
Registering Uncertainty: Great Expectations, the Statistical Movement, and the Census of 1861
Philip Allingham and Wayne Melville, Lakehead University
The Author and the Scientist: Household Words and "Science for All" in Victorian Britain
Julia F. Munro, University of Waterloo
"Strange, scientific, mournful, all at once": Photographic Allusions in Bleak House
12:25-1:45 Lunch
1:45-3:25 Panel 7: Reading Dickens from Within and Without
Chair: TBA
FC 400
Jessica Straley, University of Utah
"A Jolly Game": Pick-Pocketing and Interiority in Oliver Twist
Eleanor Salotto, Sweet Briar College
Burning Down the House: Bleak House and the Plenitude of Form
Robert Tracy, University of California - Berkeley
Arthur Clennam Reads Little Dorrit
Deb Gettelman, College of the Holy Cross
"Patience": Little Dorrit and Dickens's Psychology of Reception
3:25-3:40 Coffee Break
3:40-5:20 Panel 8: Transgressive Families; Transgressive Acts
Chair: TBA
FC 400
Lillian Nayder, Bates College
Invisible Ink; or, the Power of the Postscript
Natalie Cole, Oakland University
"Little else than monstrous": the Bothers of Brotherhood in Dickens
Kiran Mascarenhas, CUNY Graduate Center
Fashion Crimes and Domestic Violence: Dickens's Mothers
Gareth Cordery, University of Canterbury
Crossing boundaries in The Old Curiosity Shop: Quilp, Commerce, and Domesticity
5:20-6:00 Dickens Society Business Meeting (all are welcome)
7:00 Dickens Dinner
Local 121
121 Washington St.
Providence, RI
401.274.2121
Optional activity: Waterfire
Downcity Providence - on the Canals
Begins at sunset (~ 7:56 p.m.), ends just past midnight
http://waterfire. org
Sunday, August 9
Feinstein Center (FC)
8:30-9:00 Coffee and Refreshments
9:00-10:30 Panel 9: Otherwordly and Intertextual Dickens
Chair: TBA
FC 400
David J. Smith, Pennsylvania State University
"The Ghost of an Idea": Visions of the Shadowy World from a A Christmas Carol to Bleak House
Kit Polga, Springfield Technical Community College, and Barbara Crippen, Memphis University School
Dickens and Balzac: Corruption and Seduction in Bleak House and Pere Goriot
Nancee Reeves, Purdue University
The Bloody Specter of Sweeney Todd in Dickens's A Tale of Two Cities
10:30-10:45 Coffee Break
10:45-12:25 Panel 10: Representationan and the Visual Dickens
Chair:TBA
FC 400
Tracy Miller, New York University
Mtonymy, pathetic fallacy, and "what the waves were always saying" in Dombey and Son
Letitia Henville, University of Toronto
A Second Metonym: Tom-all-Alone's, Poor Jo, and Mid-Victorian Representations of Poverty
Mark Cronin, Saint Anselm College
Turning Peggotty's Boat Right Side Up: Hablot K. Browne and the Overturned Boat House of David Copperfield
Andre DeCuir, Muskingum College
Dickens and the Pre-Raphaelite Aesthetic Revisited: The Mystery of Edwin Drood
12:30-1:45 Lunch
3:00 Optional Activity: Providence Trolley Tour
Tour meets at the corner of Fountain and Eddy Streets, behind the Biltmore Hotel
401.421.3825
$18.00